Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody

By Alexis Petridis · The Guardian Culture

(Polydor) Its release delayed by ill health, Kiwanuka’s latest was made in tandem with 2024’s Small Changes – but it’s much more than a mere companion album In November 2024, Michael Kiwanuka released his fourth album, Small Changes , an extremely poised and self-assured piece of work. After three gold albums, a Grammy nomination, a Mercury prize win and the ongoing success of Cold Little Heart , a 2017 single hoisted to virality and million-selling status in the US after its use in TV drama Big Little Lies, Kiwanuka – and his long-term production collaborators Danger Mouse and Inflo – evidently felt confident enough to release a beautiful but wilfully understated album. Recorded in LA, some impressive names lurked in the credits: legendary session musicians including bassist Pino Palladino and the drummer James Gadson, who played on Marvin Gaye’s I Want You and Donald Fagen’s The Nightfly; the similarly legendary R&B producer Jimmy Jam served as organist on three tracks. It attracted the kind of critical praise in which adjectives like “unhurried” and “meditative” figured heavily. But it also wasn’t the whole story. It turned out there was a second album, its songs written – or rather, jammed into existence by Kiwanuka and members of his live band – concurrently with Small Changes. It was made not in LA but in a studio that “looks like a medieval hut” in Southampton. August session musicians and legendary R&B producers were not present during its recording, nor were Danger Mouse and Inflo. Indeed, you could read its opening track, Summer Clothes , as a kind of Dear John letter to both of them (“I’m OK, I found another way … we’ll be back here soon, just not today”). Continue reading...