Hamlet review – Riz Ahmed’s tortured prince drives chilling modern take through London’s streets

By Peter Bradshaw · The Guardian Culture

Timothy Spall and Art Malik co-star in Aneil Karia’s intelligent and stark retelling of Shakespeare’s tragedy, set in the world of shady family business Screenwriter Michael Lesslie and director Aneil Karia have devised a stark and severe new interpretation of Shakespeare’s Hamlet; there are transpositions and cuts, some light modernisations, and the text is stripped down a good deal. It’s an austerely challenging reading and incidentally, right about now, nothing could be further from the richly empathetic and redemptive approach of Chloé Zhao’s Hamnet , about the play’s imagined origins. The setting is modern London’s world of shady family business and family dysfunction, wedding parties, blandly scheming associates and SUVs speeding through the night-time streets. Hamlet looks here like no one as much as Kendall Roy from TV’s Succession. Riz Ahmed plays the prince, horrified by a ghostly vision of his dead father (Avijit Dutt) who, in a chilling scene, summons him to a bleak urban rooftop to announce he was murdered by his brother Claudius (Art Malik). Claudius now is a hard-faced property speculator who has evicted a tented community of people led by Fortinbras from some prime real estate, and who now intends to marry Hamlet’s mother, Gertrude (Sheeba Chaddha). Continue reading...