Girl Group review – Rebel Wilson’s dreadful music comedy is a spice-free wannabe

By Benjamin Lee in Toronto · The Guardian Culture

Toronto film festival: the actor turned writer-director’s ode to girl groups is a shoddily made and embarrassingly unfunny catastrophe There were plentiful on-paper delights for certain music fans of a certain generation promised at Toronto’s splashy Friday-night premiere of pop comedy Girl Group. Posed as a tribute to the Spice Girls and the fizzy boom of girl power-fuelled music that came in their wake, its cast includes OG member Mel C, All Saints’ Shaznay Lewis, and Pussycat Dolls’ Ashley Roberts and Nicole Scherzinger while its soundtrack includes Glee-like covers of Destiny’s Child, En Vogue and Fifth Harmony, a feast for those who have recently felt famished. At a time when such music is still sadly rather thin on the ground, save for the manufactured kids pop of Katseye and the often effective yet more boutiquey throwback R&B of Flo, it seemed to be a reminder of how thrilling it all used to be back when such girl-pop supremacy felt impossibly never-ending, a form of nostalgia-bait that many of us could fully get behind. But there are not enough pandering nods to the past that will get even the most dedicated pop girlie through the five-alarm catastrophe that unfolded for those of us who bravely decided to stay awake (someone in front of me wisely chose the release of sleep within the first 30 minutes). Hailing from Live Nation Studios, also behind the Weeknd’s roundly ridiculed vanity project Hurry Up Tomorrow , but lit and shot like a pharmaceutical commercial, it barely even feels like a real movie let alone one that should be premiering at such a prestigious festival. It’s the clumsy handiwork of Rebel Wilson, a once in-demand comedy star who has been trying to chase her career highs in the years since. In a theoretically admirable move, she’s moved behind the camera to take control and reintroduce the kind of broad comedies she used to be a part of before they faded from the mainstream. Her directorial debut, a cheap and cheerful adaptation of Aust…