A Sense of Occasion by Brodie Crellin review – a surprising and darkly funny debut
A dysfunctional family comes together for a funeral in this heartfelt, keenly observed novel Most of us come upon our family’s dysfunctions gradually, like a door that opens a little...
By Ella Fox-Martens · The Guardian Culture
A dysfunctional family comes together for a funeral in this heartfelt, keenly observed novel Most of us come upon our family’s dysfunctions gradually, like a door that opens a little wider each year. This uncle, you find out, has had an affair; grandma has a hoarding problem. The cremation of the nuclear family illusion is a cornerstone of literature, especially when it’s hastened by one of those unavoidable core gatherings: weddings, births, funerals. But what happens when there was never any illusion to start with; when the story begins in the ashes? The delight of Brodie Crellin’s accomplished, surprising debut lies in the way it wrestles with this question, and in its depiction of a family that fails to meet any conventional definition of the word. With a cutting eye and wry humour, Crellin finds fantastic power in the story of three maladjusted people reeling in the face of death, whose relationships to one another are endlessly confronting and complex. There is friendless Patch, riddled with anxiety, who bursts into tears at the memory of the postman’s suicide and falls victim to a terrible haircut. There is Patch’s father, Robin, who is “gay, yes, mostly, but mutable”. And there is Jude, her domineering, malevolently competent cousin, a playwright who “loves to make an entrance”. They’re bound by the newly deceased Mary: Robin’s ex, Patch’s mother, and Jude’s aunt – a woman who “[didn’t] have a problem with gay men” but was lukewarm on lesbians. Orbiting this “isosceles”, as Jude calls it, is Juliette, Jude’s gleefully moneyed mother, and Mel, Mary’s neighbour. Various other characters swing in and out, all fully realised no matter how brief their appearances, my favourite of which was Mary’s poor, forgotten “empath” labrador, Leonard. The stage is set, as Jude cruises in from Naples, for a fraught collision of past and present. As the funeral draws closer and tensions simmer, Crellin juggles the minutiae of death – chopping vegetables, arranging memorial ph…